Inspired By A Song

“I guess I’m just not a poinsettia person,” Lucinda Ledford said, “nor an amaryllis person, either. That’s why I went in for so many roses.” Lucinda’s affection for roses may have earned her the name “Rose Queen” from her team members in Biltmore’s Floral Department, but that’s okay with her. “I’m still in awe of Christmas at Biltmore,” Lucinda continued. “Everything is so beautiful and there’s so much choice—it’s overwhelming!”

With just seven months under her belt, Lucinda is the newest designer on Biltmore's design team and this is her first time to get up close and personal with the holiday decorating process.

“It was wonderful to partner with Susan Partain on the Music Room,” Lucinda said of her experience with another floral designer who’s been part of the team for many years. “She was so knowledgeable, and it was a great learning experience. We took our theme from The Holly and The Ivy Christmas carol and worked in lots of natural elements, with plenty of reds and greens, just like the song describes.”

Some of the greenery that Susan and Lucinda used was taken from trees and shrubs on the estate, just as the Vanderbilts and their staff might have done in 1895. Biltmore’s floral team has “cutting privileges” in the gardens and among the trees, and they take their job seriously, being careful not to overcut branches or harm fragile plantings.

Lucinda Ledford decorates a Christmas tree in the Damask Room.

For the Damask Room, Lucinda dreamed up a design that reflected what this year’s theme meant to her personally. “Christmas is all about family and friends,” she said, “so to decorate the tree, I collected lots and lots of picture frames and put snapshots in them. I tried to find candid shots of the Vanderbilt family, and Cornelia Cecil and her sons. In one of their travel photos, Mr. Vanderbilt is making a funny face while everyone else looks serious.”

To add natural elements that also worked with this year's “Nature of Christmas” theme, Lucinda used floral touches composed of dark oxblood red roses and fresh greenery. She completed the warm, welcoming look for this guest bedroom by including a candy tray featuring sweets that were popular in the late 1800s. Lucinda searched online for different candies from that era, then printed the wrappers and made up the candy bars so the treats would look authentic.  It is those extra details that make these holiday designs so unique.

“When guests come through in awe,” Lucinda said of her decorating experience this first year, “it lets you know you did it right!”

Design Inspiration: Fall Prints

One of our favorite ways to incorporate a touch of Biltmore into your home is the addition of a design element that harmonizes with your personal style. You can achieve this through the use of furniture, accessories, and building materials that designers have created based on their interpretation of the estate.

We love choosing prints drawn from George Vanderbilt’s extensive collection of antique books. Consider the simple, beautiful details of a charming print such as “Harvest Song” from Meisterwerke of German Art, Vol. I by Carl Thonet Jutsum, published 1883/1884.

Another lovely option is “Garland, Cornucopia” from Fables by Fontaine, which was published in 1755. Though more than 250 years old, the print retains a classic botanical look and feel that adds interest to any setting. Like “Harvest Song,” this print has been faithfully reproduced in warm vintage tones suitable for any décor.

The prints in our collection are taken directly from books within the library in Biltmore House, enabling you to experience the same history and art that the Vanderbilts and their guests enjoyed.

Click here to purchase “Harvest Song,” “Garland, Cornucopia,” and other prints in the Biltmore collection.
 

Classic Equestrian-Themed Bedding

Whether you’re an equestrian enthusiast or simply appreciate the classic look of equestrian-themed items, you’re sure to enjoy our new Equestrian Bedding Collection by Belk. Inspired by the long history of horses, carriages, and stables at Biltmore, this collection pairs a charming toile-style mix of horses and riders with traditional damask in a warm yellow, mocha, and cream palette.

George Vanderbilt was as particular about his stables as he was about his own home. The estate included a 12,000 square foot stable complex attached to Biltmore House for the fine riding and carriage horses available to family and guests.

Though renovated to allow for shopping and dining, the Stable Complex has also been carefully preserved to showcase its original design and details. Today’s guests once again enjoy a wide range of equestrian activities on the estate, from trail and carriage rides to lessons for all ages through the Biltmore Equestrian Center.

Find the Equestrian Bedding Collection here.

The Making of Christmas at Biltmore

Each year at this time, signs of Christmas start to show up around the estate.  A tree here, a beautiful wreath there….all magically appear for guests to enjoy.   But behind all of this magic is a dedicated team of creative designers who are hard at work.  Every ornament, arrangement and yard of fabric is selected precisely for its intended location and specifically for that year.  The imagination and expertise of this team seems endless and their enthusiasm knows no bounds.


With that endless creativity comes a long list of supplies required to decorate America’s largest home and surrounding buildings on the estate.  From trees to bows, and countless ornaments in between, below are the Biltmore-sized trimmings for this holiday season.

Trees

A combination of fresh cut Fraser fir and artificial trees are used inside Biltmore House for fire safety and the protection of the collection. Designers also use potted holly trees, deciduous and evergreen trees and shrubs as decoration, both inside and outside. 

  • The 2013 celebration boasts 56 decorated Christmas trees inside Biltmore House.
  • The largest tree inside Biltmore House is the Vanderbilt traditional 35-foot-tall Fraser fir in the Banquet Hall.
  • A lighted 55-foot-tall Norway spruce with other evergreens decorates the front lawn of Biltmore House.
  • A total of 58 additional decorated Christmas trees are at other estate locations, including the Winery, Inn on Biltmore Estate, Antler Hill Village and restaurants.

Lights and Candles

There are around 30,000 lights and 150 candles inside Biltmore House. Over 130,000 LED and mini lights are found around the estate.  The Front Lawn tree features 45,000 lights and lighting accents are placed at the base of the poplar trees lining the front lawn.  Three hundred luminaries line the driveway and Esplanade in front of Biltmore House.

Ornaments

Five hundred gift boxes, 500 ornaments and 500 electric lights decorate the Banquet Hall Tree. There are 12,000 ornaments used on the other trees inside Biltmore House, and another 10,000 used around the estate.

Poinsettias and Other Blooming Plants

There are traditional red poinsettias, along with amaryllis, Christmas cactus, orchids, peace lilies, cyclamen, begonias, and kalanchoe in the displays.  Around 1,000 blooming plants are used during the season inside Biltmore House, along with several hundred more in the other estate facilities.

Wreaths

Wreaths are made of fresh white pine and Fraser fir, ornamented with golden arborvitae, holly, or other natural materials such as twigs and cones.  Artificial bases are decorated with ornaments, berries, silk flowers and ribbon.  Over 360 fresh wreaths and sprays along with 130 permanent botanicals are found around the estate during the season.

Kissing Balls

Guests will find 130 orbs made of fresh white pine and Fraser fir, or made of dried and faux materials are found all across the estate.

Garlands

Each season, designers use 5,000 feet of fresh evergreen garlanding of mixed white pine and Fraser fir. The garlands are replaced weekly to maintain a fresh look and fragrance for our guests.  Silk garlands add another 1,200 feet in Biltmore House and around 1,500 feet in other areas.

Ribbons and Bows

Biltmore House features 500 ribbons, while another 500 are used at other estate venues.  Bows are made from narrow cording to 8-inch-wide ribbons of velvets, metallics, satins, burlap and printed cottons.

Partners in Good Taste

George and Edith Vanderbilt served only the finest food to their family and guests. Biltmore continues to honor their heritage today by serving the highest quality foods in estate restaurants and partnering with exceptional vendors to bring those same standards to your table.

That’s why we’ve chosen to partner with Seven Seas International whose mission is to bring the finest fish and seafood products to your table. For more than 130 years, they’ve done just that, building their company on providing sustainable, responsibly-sourced, and delicious seafood.

A Tradition of Culinary Excellence

For more than a century, Biltmore and Seven Seas have shared a tradition of culinary excellence, beginning with George Vanderbilt’s ancestors in the Dutch town of De Bilt,

where the van de Groep family, founders of Seven Seas, were seafood purveyors to the region.

According to Wien van de Groep, managing director of Seven Seas International, his grandmother began selling fresh fish from a pushcart in Spakenburg, which is about 20 miles from De Bilt. “The Vanderbilts in Holland probably consumed our fish products,” van de Groep said, “because De Bilt was definitely in my grandparent’s distribution area.”

Today these family-owned businesses have reconnected to bring you the finest gourmet seafood.

Be sure to try all of our delicious products sold at your local grocery store. Prepared and smoked with 100% all-natural ingredients, cold smoked varieties include Scottish, Norwegian, and Sockeye. Also try the plain, hot smoked salmon. (Hot smoked only available at Earthfare.)

Find Biltmore Gourmet Salmon at a your local Harris Teeter, Publix, Food City, and Earth Fare. If you have trouble finding the product, please email us at fyhinfo@biltmore.com.

Click here to discover more seafood and recipes.

A Shared History of Wine

A Shared History of Wine

The muscadine grape is native to North Carolina, thriving all across the region’s geography and climate, from the mountains to the piedmont to the coast. Scuppernong, a variety of muscadine, is designated as the official state grape and has long been a favorite ingredient in jams and jellies and wines.

Vitis vinifera, the type of grape associated primarily with winemaking, is not native to North Carolina. It prefers a classic Mediterranean climate of hot days, cooler nights, dry breezes, well-drained soil, and limited rainfall.

Taking Root

How then, did vitis vinifera get started in North Carolina?

It began with Biltmore, America’s largest home and the private estate of George Vanderbilt. More than 100 years ago, Vanderbilt envisioned his estate as a large-scale working farm that would generate produce and revenue to support and sustain itself. Original initiatives included a market garden, a nursery that shipped estate-raised plants around the world, and a dairy operation that eventually became one of the largest in the Southeast. From the Great Depression through the end of World War II, the Biltmore Dairy provided vital economic support for the estate.

In 1960, George Vanderbilt’s grandson William Cecil took over management of Biltmore. As an astute businessman, he immediately looked for diversification opportunities in harmony with the Biltmore brand to help sustain the property. In keeping with his grandfather’s vision of a working agricultural property, he realized that nothing was more appropriate for a French chateau than a vineyard.

Mr. Cecil went to the agricultural extension experts at NC State for assistance with his vineyard project in 1971. He was advised to work with native muscadines that were already growing in the Walled Garden. 

After producing wine from these grapes, he was unsatisfied with the results and turned to Cornell University for assistance. They advised that he experiment with French-American hybrid grapes since some American growers in less-favorable climates were having success with them. After harvesting and wine production, however, Mr. Cecil was unsatisfied with the results.

Still convinced that a vineyard was the right move for Biltmore, Mr. Cecil went to the Department of Vitaculture and Enology at the University of California at Davis. Although experts there initially told him that vinifera cultivation was not possible in Western North Carolina, he pushed on, planting the first vinifera grapes on the west side of the estate in 1978. In his book Lady On The Hill, Mr. Cecil notes that“Asheville was about the same latitude as Gibraltar in the Mediterranean, and with an altitude between 2,100 and 2,500 feet, the fields of the estate would enjoy warm days and cool nights in the summer.”

At last, Mr. Cecil was satisfied with the type and quality of the grapes, and the winemaking venture moved ahead. In 1983, the Biltmore Estate Wine Company established and renovation began on the original Dairy structure to convert it into a state-of-the-art winery, which opened to the public in 1985.

Present and Future

In the past three decades, the Biltmore Winery has emerged as the most-visited winery in the nation, winning numerous prestigious awards and points rankings in competition with the finest wines in the world.

In that same time, North Carolina grape growers and winemakers have benefitted from the wine industry knowledge and expertise that developed around Mr. Cecil’s vision for his family’s home. There are now more than 400 vineyards and 100 wineries across the state, and the numbers continue to rise. Some agricultural forecasters have suggested that growing grapes may eventually provide a viable economic alternative to traditional tobacco farming.

In celebration of North Carolina Wine Month, we are also celebrating William Cecil’s determination and dedication to his own dreams of making Biltmore Wines a reality that would support the mission of preserving Biltmore as a privately owned working estate.

Learn more about our wine story.

Biltmore Furniture Collection Open Houses

Join us at our new furniture collection open houses at a store near you!

 

Louis Shanks

2800 Fondren Rd.
Houston, Texas 77063
(713) 780-9770
Dates & Times: September 21 at 3 pm; September 22 at 2 pm


Furnitureland South

5635 Riverdale Dr
Jamestown, NC 27282
(336) 822-3000
Date & Time: September 28; 11 am – 1 pm


Tyson Furniture

109 Broadway
Black Mountain, NC 28711
(828) 669- 5000
Date and Time: November 2; 2 pm – 4 pm
 

Birmingham Wholesale

2200 2nd Avenue South
Birmingham, AL 35233
1-800-947-7192
Date & Time: November 7; 6 pm – 8 pm

   

Good's Home Furnishings

11735 Carolina Place Parkway
Pineville, NC 28134
(704) 910-6096
Date & Time: November 14; 5:30 pm – 7:30 pm

 

Sedlak Interiors

34300 Solon Road
Cleveland, OH 44139
(440) 248-2424
Date: November 1 – 9


Click here for more information and additional photos of our beautiful furniture, inspired by styles and designs in Biltmore House and across the estate!

Frame Your Travels

Looking for a fabulous way to showcase your travels? The framing professionals at Larson-Juhl suggest creating a custom-frame shadowbox to display collections of photos and treasured keepsakes that bring the journey to life all over again.

Shadowboxes are perfect for this purpose because they add depth to your collections, allowing you to add dimensional objects rather than just flat photos, maps, or postcards. A knowledgeable framer can help you choose the right height to make the most of the items you want to highlight. Professional framing and glass choices can also keep special items from further deterioration and damage. Here are a few ideas we love:

Exotic Travel Adventure

  • Photos from your excursions
  • Foreign currency
  • Special items purchased at a market
  • Ticket stubs or copies of passport travel stamps

Family Beach Vacation

  • Use a map of the beach as the background
  • Family photos taken on the beach
  • Seashells, sand, or driftwood
  • Postcards

Big City Getaway

  • Use the subway system map as the background
  • Tickets from shows, museums or any special place
  • Photos taken in the city
  • Small items purchased in the city

Biltmore Vine To Wine Tour

  • Use the map of the vineyard as the background
  • A bottle of wine from the vineyard
  • Photos of the vineyard
  • Tasting notes you jotted down along the way

Ted’s Favorite Places

Ted Katsigianis has experienced a lot during his three decades at Biltmore. As Vice President of Agriculture and Environmental Sciences, he directs a staff that works in traditional agriculture such as forage and field crops, and livestock including cattle, sheep, goats, and poultry. He also works with the Equestrian Center programs. As if that’s not a fulltime job, he’s also in charge of environmental initiatives and sustainability!

The Farmyard in Antler Hill Village is one of his favorite locations at ChickBiltmore because of his personal connection to the area.

“I was heavily involved with the restoration of the Antler Hill Village Barn project and creation of the Farmyard. It’s a pleasure to see guests young and old enjoy interacting with our animals. The children are especially thrilled,” he says. “I enjoy admiring the sheep and cattle in the production pastures, and watching the poultry and baby goats in the Farmyard.”

His other favorite view is found on the estate’s West Side, located across the French Broad River from Biltmore House. The rolling pastures give way to Long Valley Vineyard—one of Biltmore’s earliest vineyards—with Long Valley Lake in the distance. Ted was a member of the team that helped create Long Valley Vineyard, and he’s proud to be a part of estate history in that regard.

“We were breaking new ground for a specialty crop grown in Western North Carolina, and we didn’t have anything to go by,” he explains. “I was in charge of the vineyard for 17 years, and some of our best harvests occurred during this time.”

If you would like to experience the views from the vineyards, we recommend the new Vine to Wine Tour offered on Saturdays and Sundays now through fall. This exclusive guided tour incorporates tastings of our best Biltmore wines while taking you to the vineyards and behind-the-scenes Winery production and bottling locales, finishing with a premium grand tasting and gourmet nibbles. You must have a Biltmore admission ticket or Annual Pass to participate.

Call us at 800-543-2961 to make reservations.

Behind the Scenes: Big Reveal Set For Fall

Two rooms inside the 250-room Biltmore House – the Second Floor Living Hall and the Salon – will re-open this fall after the estate’s Museum Services team restores them to their appearances as they were when George Vanderbilt opened the home in 1895.

In recent years, the Second Floor Living Hall has been used as an exhibition space; prior to that, it was interpreted as a sitting area. An early 1950s photo offered a glimpse of the original furnishings of this space—gilded sconces, paintings and a suite of oversized Baroque furniture placed around the perimeter of the room. Additional research led curators to determine that the room’s primary function was intended as a picture gallery and formal hallway.

“We’re constantly striving to interpret the house authentically as it appeared during the Vanderbilts’ time,” said Darren Poupore, Chief Curator.

Bringing the room back to its original state includes conserving all the furnishings, recreating elaborate window treatments and making structural changes.

“We discovered that the original upholstery was a gauffraged fabric—a rich wool velvet with a pattern pressed into it—in a striking gold color,” said Poupore. “We had it reproduced in France by Prelle, the same company that made many of our historic fabrics for the Louis XV Suite project.”

Green velvet draperies will adorn windows featuring exact reproductions of four pelmets (or valances). For two years, local textile artist Heather Allen Swarttouw painstakingly embroidered and appliquéd each pelmet to match the originals.

As appropriate for such a prominent space, several notable paintings are being returned to their original locations. John Singer Sargent’s portraits of Richard Morris Hunt and Frederick Law Olmsted and Anders Zorn’s painting “The Waltz,” which have been hanging temporarily in the Salon, will once again hang where George Vanderbilt intended. The restored room will be completed and re-opened September 1st, 2013.

Relocating the paintings from the Salon has led to its reinterpretation, centered on the fact that the Salon was one of the few first floor rooms not completed during Vanderbilt’s lifetime.

“Draperies were placed in the archways to prevent the Vanderbilts’ guests from seeing inside the room,” Poupore said. “It had bare brick walls, a rough subfloor and a structural tiled ceiling without its finished treatment. In the 1920s, Edith Vanderbilt turned it into a Turkish sitting room, but in 1930 everything except the 1920s ceiling treatment was removed and it became a space to display special objects.”

Curators decided to tell the story of how the room has changed through the years. Removal of a wall revealed an original firebox and brick walls. A section of the fabric ceiling treatment is being removed to show the terra cotta tiled ceiling above. Information panels will explain the new interpretation of the room when it re-opens October 1st, 2013.

Learn more about the Biltmore house.