Early Spring Rose Care Tips

Whether you believe it or not, growing and maintaining roses is not that difficult. Roses will keep growing and blooming even if we neglect them entirely. However, like with most things, roses benefit from a little TLC. At Biltmore, we take a proactive approach to gardening – with roses in particular. Most of the efforts you make in caring for your roses in early spring will mean fewer problems during the growing season. Here are a few tips from Biltmore's rose garden experts!

1. Prune starting in late March, or when Forsythia starts to bloom. Any earlier before the leaf buds swell and you’re chancing it should a late freeze come along.

2. Start with simple clean-up: Remove deadwood, diseased or damaged canes. Then, thin out the branches as needed to promote air flow and new growth. Remove crossing canes.

3. When temperatures are right, remove any excess soil, mulch, leaves and debris you used to protect bushes in winter. This allows for much needed sunlight on the plant to force new canes from the base.

4. Once buds start to open, apply fertilizer to bushes. Try a mix of one half-cup of cottonseed meal, a half-cup of bone meal and blood meal, and ¼ cup of Epsom salts for each plant. That gives your roses a little kick-start for the season.

With roses being a part of Biltmore's culture since Olmsted's original design and hosting the International Rose Trials since 2011, our garden crew knows a thing or two about proper rose care. Comment with your questions below, or share photos of your roses on Biltmore's social media pages!  

Photo: 2014 winner George & Edith Vanderbilt Award for Most Outstanding Rose Of The Trials (Best in Show) “Miracle On The Hudson,” bred by Robert Neil Rippetoe of California

A special bond

Chauncey Delos Beadle began working at Biltmore as nursery supervisor under the direction of Frederick Law Olmsted in 1890—five years before Biltmore House and its surrounding gardens were completed. Beadle, who said he came to Biltmore for a month and stayed for a lifetime, lovingly supervised the estate grounds until 1950.

Chauncey Beadle, ca. 1906
Chauncey Beadle, ca. 1906

Ten years after arriving at Biltmore, Beadle and the other staff members helped George and Edith Vanderbilt welcome the arrival of their only child—a daughter named Cornelia Stuyvesant Vanderbilt. Later that same year, a cucumber magnolia tree (Magnolia acuminate) was planted in the child’s honor in the area of the estate that would come to be known as the Azalea Garden. According to one newspaper account,

The spot selected is in a beautiful grassy dell near Biltmore House. The tree itself, now but a sapling of twelve feet in height, is expected to be 60 feet above the ground when little Cornelia reaches the age of 20 years. A few years after that event, it is expected that it will reach a height of 100 feet. It lives centuries, and is one of the prides of our beautiful southern forests. 

A special bond

As a young girl, Cornelia developed a special bond with Beadle. He had become estate superintendent and was now responsible for the overall business management of the estate, as well as many of the Vanderbilts’ personal affairs—but he was also a trained botanist and horticulturalist who encouraged Cornelia to take an interest in plants and flowers from a very young age. Together, they undertook such activities as planting a flower garden for the child to tend.

When Cornelia was away travelling with her parents, Beadle wrote letters detailing the garden’s growth and often included pressed flowers for her enjoyment.

Here are excerpts from the charming letters Beadle wrote to Cornelia just before her sixth and seventh birthdays:

August 17, 1906 – To Cornelia in Paris, France:

“I promised you just as you were leaving Biltmore to send you some pressed flowers from your garden, that you may see some of the results of the seeds we planted last spring. Almost all of the seeds grew and thrived and, in particular, I wish you could have seen some large double sunflowers as large as breakfast plates … They were so large that I could not press them and I fear that before your return they will have faded and gone. The little package which I am sending you, however, contains some of the smaller flowers that were easily pressed and, perhaps, before your home-coming, I can send you another lot so that you may be able to enjoy the garden even though you were in Europe…”

August 14, 1907 – To Cornelia at Point D’ Acadie, the Vanderbilt’s home in Bar Harbor, Maine:

“I have sent you by mail a package containing a number of pressed flowers from your garden which you painstakingly planted and watered. Very many of the plants have made a splendid showing… In the package you will find handsome Larkspurs of various shades and mottled colors… and several other flowers that were in blossom…. You will find the names of the flowers written on the inside of the sheets of paper which contain them, and I am very sure that you will soon know them all by name and will be able to recognize them wherever you may see them growing…”

Keeping up a correspondence

George Vanderbilt passed away unexpectedly in 1914, and Edith and Cornelia began spending more time in Washington, DC where Cornelia attended The Madeira School. Beadle continued corresponding with the pair through the years, bringing Edith up-to-date on estate business and describing the gardens in great detail so both ladies could enjoy them even when they were far from home.

In a letter dated April 14, 1922, Beadle wrote to Cornelia,

“The tulips in the walled garden are so glorious that we are trying out an experiment of sending you a box today by express for Easter. We shall hope they will bring you something of their original beauty and charm to make Easter even more wonderful. Spring is very much advanced here, even the yellow rambler roses are opening.”

Beadle’s gift

In 1923, Cornelia met the Honorable John Francis Amherst Cecil, a British diplomat who had been transferred to Washington, DC after posts in Egypt, Spain and Czechoslovakia. John Cecil came from a very prominent British family, and was a direct descendant of William Cecil, the first Lord Burghley, who served Queen Elizabeth I of England.

Cornelia and John announced their engagement later that year, and set a wedding date for April 29, 1924. Although Beadle was in Florida and unable to return for their wedding, he sent a very special gift that commemorated their mutual love of the natural world: fresh orange blossoms from his own garden. Our archival records indicate that Cornelia placed some of the fragrant flowers on her veil and also decorated the toe of each of her wedding slippers with a single, perfect blossom.

Cornelia Vanderbilt’s wedding portrait upon her marriage to John Francis Amherst Cecil, April 1924
Cornelia Vanderbilt’s wedding portrait upon her marriage to John Francis Amherst Cecil, April 1924

Images

Top: Chauncey Beadle at Biltmore in 1906

Middle: Cornelia Vanderbilt photograph; 1904

Bottom: Cornelia in her wedding dress at the bottom of the Grand Staircase in Biltmore House

An Easy Way to Welcome Spring

Lucinda Ledford, one of Biltmore’s talented floral designers, enjoys using natural elements in her arrangements. With treasures collected from the great outdoors, she’s created a pretty tabletop display to help ease us from winter into spring.

“You’ll be surprised at what you can find in your own back yard,” Lucinda said. “Just take a walk and see what you see. Look for things like pine cones and interesting branches that catch your eye—you might even spy an empty bird nest or two! Use your ‘findings’ to create a winterscape arrangement, and with a few simple changes here and there, it can go all the way through to spring.”

If you don’t have a backyard or some nearby woods (or 8,000 acres of gardens, grounds, and forest, like Biltmore!), you can always stroll through your local craft store, nursery, or florist shop and come up with a great array of natural and silk items that suit your décor.

Spring arrangement on cake standMaterials

Biltmore Ruffle Cake Stand

  • 2 or 3 types of moss, including flat sheet moss
  • Bird nest and/or other natural and decorative elements
  • Twigs and different lichen branches
  • Several small, fresh plants (greenery for winter; flowering for spring)
  • Floral putty (optional for securing items)

Instructions

Start with sheet moss to cover your cake stand, then build up different areas with different mosses.

Establish a focal point and add your treasures to create a natural, relaxed flow.

“As you transition into spring, add bird eggs to the nest, and a couple of spring plants that will bloom with pretty color,” Lucinda suggests. “That will freshen your arrangement without having to start from scratch!”

Arrangement shown on our Ruffle Cake Stand. Biltmore Ruffle Serveware Collection available at Belk and belk.com.

Craftsmen add their expertise to Dressing Downton exhibition

Dressing Downton™ has ended. Please enjoy this archived content.

As you marvel at the costumes in the Dressing Downton: Changing Fashion for Changing Times™ exhibition, take a moment to look at details of the displays in Biltmore House.

What? You haven’t notice the light boxes and display stands for the exhibition labels?

That’s probably because each piece was custom made by Biltmore’s Facility Services and carpentry crews, using their years of experience to craft these items specifically to blend into the beautiful surroundings.

Biltmore is fortunate to have craftsmen of all trades who develop invaluable knowledge of the house’s inner workings and take pride in matching their work to the exquisite level of detail found throughout Biltmore House.

To host the Dressing Downton™ exhibition required display stands for the costume labels, light boxes to house illumination, and bases for the mannequins. All pieces were made from red oak, then stained with a custom hand-mixed blend of two colors to provide the classic look found in the house’s woodwork.Downton costumes illuminated in the Banquet Hall

Because all of the pieces were made in-house by carpenters Benny Reed, Jason Pleva, and Larry Carver, they include special handcrafted elements. The display stands alone contain 11 pieces, with each piece being hand-milled, sanded, stained, and sealed with polyurethane.

The light boxes are adjustable to provide optimum light, and feature additional woodwork to conceal cords. Mannequin bases are designed to make the task of dusting easier for Biltmore’s housekeeping staff, and the feet on the display stands were modified so they could stand flush against the walls in Biltmore House.

But the crew’s work didn’t end with assembling the pieces. They also installed the lights within the light boxes and the display stands.

“We saved the estate money and made the pieces easier to set up and operate,” said Benny Reed, Lead Carpenter.

While the crew usually doesn’t take time to see their creations in use, this time they are pausing long enough to admire their work.

“We usually move straight on from one project to the next, but this time we’re all going to see the exhibition set up in Biltmore House. We’re going to see our project in place and appreciate our accomplishments,” said Bobby Wright, Construction Trades Manager.

Photos

Top and center: Downton costumes illuminated in the Banquet Hall.

Bottom: Members of Biltmore’s Construction Trades team: Bobby Wright, Benny Reed, Larry Carver, Tim Hawkins, Willie Wolfe, Jason Pleva, Brandon Rice, Randy Ownsbey, Dewayne Williams, and Jimmy Davis. Not shown: Vince Helton.

Members of Biltmore's Construction Trades team

Valentine’s Day Arrangement

Make your cake stand “stand out” from the crowd this Valentine’s Day with our super-simple centerpiece idea. We've selected our Biltmore Beaded Cake Stand as a base for its even, reflective surface and pretty beaded detailing that complements any décor.

Materials

Biltmore Beaded Cake Stand
6 fresh roses
2 votive candles
6–8 votive holders (various colors/sizes)
1 larger pillar candle and candle stand
Metallic hearts or other decorative elements
Foil-covered chocolates
 

Instructions

Place a large candle on a candle holder atop the cake stand to create a focal point. We chose a multi-colored (shades of brown) glass candle stand to add height and texture to the centerpiece.

Arrange small votive holders around the cake stand. (We used a mix of clear and antiqued finish holders.) Add votive candles to 2 holders; fill the others with water.

Trim roses, leaving a 2-inch stem on each. Tuck them into the water-filled votive holders.

Scatter metallic hearts or other decorative elements and tuck foil-covered chocolates between the candles in any remaining space.

Arrangement shown on our Beaded Cake Stand. Biltmore Beaded Serveware Collection available at Belk and belk.com.

7 Tips for Making Fresh Cut Flowers Last

Cathy Barnhardt, Floral Displays Manager, has spent 35 years at Biltmore and is nationally known for her work. She began her career in the estate’s greenhouse, but now handles everything “Christmas at Biltmore.” With Valentine's Day just around the corner, Cathy shared some tips and tricks she has used over the years to make floral arrangements last as long as possible.

1. Be sure that there is no foliage below the water level of the vase or pushed into a block of floral foam. Soft tissues will decompose quickly and foul the water. Some flowers such as gypsophilia (baby’s breath), or snapdragons decompose very rapidly and require fresh water daily. The water in a vase should be clear, never cloudy, which indicates bacterial growth.

2. Change the water daily if possible for the greatest vase life of your materials. If it is not feasible to change the water daily, then it is important that you check the arrangement frequently and “top off” the water. The woodier stemmed and hollow stemmed materials are generally the heaviest drinkers, and should be checked daily.

3. Direct sunlight and heat or drafts will shorten the life of your arrangement. Place arrangements with this in mind. 

4. Don’t put your arrangement in a heavily air conditioned room to “keep it fresh.” The air conditioning can dehydrate the materials.

5. Do not mist arrangements in place. Misting can cause some flowers to wilt as it draws the moisture from within the petals to the surface where it evaporates. Misting may cause spots on some blossoms and will certainly damage furniture finishes, paint, or woodworking.

6. Pinch off faded or wilted blooms to encourage newer ones to open.

7. If a flower wilts, you may try filling the sink with warm (not hot) water, submerge the entire flower briefly and then re-cut the stems under water.  Leave the flowers standing in the warm water for half an hour, and then rearrange in cool water.

A fashionable lady

From her debutante days onward, Edith Vanderbilt was a fashionable lady who enjoyed wearing some of the most elegant styles designed by the exclusive fashion houses of the era.

Standing portrait of Edith(Right) Standing portrait

In the late 1800s, standing portraits like this one were popular because a standing pose allowed a lady to display all the details of her beautiful costume to best advantage! Note the extraordinary length of lace falling from the delicate floral trim at Edith's shoulders (the floral design is also echoed in her sweeping skirt) and the height of her feathered hair ornament.

Young Edith

(Left) 1900

As a young mother, Edith Vanderbilt's style of dress reflected a bit more restraint than her glamorous debutante and engagement gowns, but there were still rich layers of details to keep the style engaging. Notice the striking combination of Edith's elegant sleeves layered in stripes and dots, the lavish lace bow at her throat, and the dangling brooch pinned to her bodice.

Edith wearing a locally created suit

(Right) March 1907

On this date, the New York Times featured a front-page story on Edith Vanderbilt wearing a gown of mountain homespun cloth woven by artisans who worked for Biltmore Industries–a business the Vanderbilts developed to provide economic support for local crafters in the community. Edith Vanderbilt always chose examples of current styles to flatter her tall, slim figure, and this sleek suit is no exception. In addition to enjoying the elegant ensemble, Edith used it as an attractive tool to help influence her social connections and push sales of Biltmore Industries merchandise.

Edith in 20s fashion

(Left) A fashionable lady

Throughout her life, Edith Vanderbilt would continue to be celebrateded for her fashion sense and good taste. 

(Top) Featured blog image 

A 1911 portrait of Edith Vanderbilt painted by Italian artist Giovanni Boldini, known for his glamorous renderings of notable members of society. This portrait hangs in the Tapestry Gallery at Biltmore House, just outside the entrance to the Library.

Rosita: The Lady in Red

Rosita, by Spanish painter Ignacio Zuloaga (1870–1945), is one of the most eye-catching works in George Vanderbilt’s collection and represents his interest in Spanish art, which gained popularity in the last years of the 19th century.

Lounging on a divan draped with a mantón de manila (a flamenco dancer’s accessory), Rosita is wrapped in a white fringed shawl with a red floral flamenco skirt billowing out. She leans on her elbow and smiles, a huge red flower in her dark hair. Rosita is confident: a model at ease with being an object of beauty. So, how did this captivating woman come to stay permanently at Biltmore?

Spanish artist Ignacio Zuloaga, ca. 1925
Spanish artist Ignacio Zuloaga, ca. 1925

A celebrated artist

In 1913, Zuloaga, known as “The Great Basque,” was living in Paris where his reputation had grown since his first exhibition in 1890. He came from a family of artists and his great-grandfather was a contemporary of Goya, who Zuloaga cited as one of his major influences.

A rising star in the art world by the turn of the century, Zuloaga was known for his portraits, especially those of women with a great deal of personality. He also had a reputation for hosting memorable Parisian parties attended by artistic luminaries of the day, such as the famed conductor and cellist Pablo Casals.

“To draw another connection to Biltmore’s collection, we know that he was respected by John Singer Sargent, who actually wrote the introduction to a 1914 catalog of Zuloaga’s work on display in Boston,” says Meghan Forest, Biltmore’s Associate Curator.

Charles and John Kraushaar in their New York gallery. Photo courtesy of Kruashaar Galleries.
Charles and John Kraushaar in their New York gallery. Photo courtesy of Kruashaar Galleries.

Modern art, circa 1914

In January 1914, an American exhibition of Zuloaga’s paintings was held at the prestigious Kraushaar Galleries at 260 Fifth Avenue in New York. The show was reviewed in the February issue of Art and Decoration, a leading art journal of the time:

“Mr C W Kraushaar, following up on his success of last season, showed for two weeks eight pictures by Ignacio Zuloaga, the greatest realist of the very realistic Spanish school.”

The article goes on to say that “his Rosita, in the pattern of her shawl and of the couch on which she reclines, is masterly in painting.”

According to Meghan, recent research on their correspondence indicates that George Vanderbilt did in fact attend the exhibition. He wrote to Kraushaar in January 1914 offering to purchase the painting and requesting the frame in which it is displayed today inside Biltmore House.

Rosita finds a home at Biltmore

After George Vanderbilt’s death, Edith Vanderbilt paid for the painting and requested that it be sent to a museum rather than to Biltmore. In 1915, Rosita entered the collection of the National Museum (now the Smithsonian American Art Museum) on loan. There she stayed until 1924, when Cornelia Vanderbilt Cecil and her husband, the Honorable John Francis Amherst Cecil, visited to view the painting and requested its return to Biltmore. The painting arrived in December 1924, with Rosita taking her place as one of Biltmore’s most intriguing permanent residents.

While Rosita was not at Biltmore during George Vanderbilt’s lifetime, our records indicate that her first placement was the Second Floor Living Hall—a decision made by Cornelia and John Cecil. She was later displayed in the Billiard Room in the 1970s before taking up residence in the hallway outside of the Louis XV Suite in more recent years.

This animation shows Rosita’s difference in appearance before and after conservation treatment in 2023.

Conserving Rosita

In 2023, Biltmore’s in-house conservator, Nidia Navarro, completed the conservation treatment of Rosita’s ornate frame while the painting itself was sent to Ruth Barach Cox for conservation. The painting conservator worked to remove old, discolored varnish and overpainting that was added during past conservation treatments and restore the vibrant colors and brush strokes to their original splendor. Early photos of the painting and Cox’s inspection revealed that the original work featured body hair in the sitter’s armpit, a common practice around the world in the early 20th century. Cox’s treatment returned the painting to its original appearance. 

Be sure to look for the recently conserved Rosita painting on display in the hallway outside of the Louis XV Suite on your next visit to Biltmore House.

Edith Stuyvesant Vanderbilt: a very charming and accomplished girl

In honor of Edith Vanderbilt’s birthday on January 17, we’d like to share a glimpse into her childhood and young adult years before she married “the most eligible bachelor in the world.”

In April 1898, an article appeared in the New York Herald announcing the engagement of George Washington Vanderbilt to Edith Stuyvesant Dresser. Much attention was given at the time to George Vanderbilt’s family connections and the fact that he had long been considered one of the most eligible bachelors in American society. But what of his fiancée, Edith?

Other than basic facts about the identity of her parents and the marital status of her siblings, little more was said about Edith other than that she was “a very charming and accomplished girl.”

Childhood adventures

Edith was born in Newport, Rhode Island in 1873. She was the fourth child of Colonel and Mrs. George Warren Dresser, who was a descendant of the last Dutch governor of New York. The Dressers divided their time between Newport and their New York residence, and much of what we know about Edith’s childhood comes from an unpublished narrative written in 1943 by her younger sister Pauline.

According to Pauline, the Dresser children enjoyed a wide variety of pets—including Edith’s 19 turtles that lived in the backyard—and a wide variety of adventures such as roller skating in their dining room while it was being repaired for water damage.

Growing up in Newport

Both of Edith’s parents both passed away in 1883, but the children’s elderly maternal grandparents stepped in to raise the five siblings who ranged in age from six to nineteen. The young Dressers moved to their grandparents’ home in Newport, and a governess named Mademoiselle Marie Rambaud was added for the girls. Pauline’s memoirs mention how Mademoiselle Rambaud had the Dresser girls adhere to the following regime:

“Two hours’ exercise, rain or shine, and early bed hours… We were not allowed to get up until seven… half an hour for dressing, then, if we hurried sufficiently, a chance to run outdoors for a few minutes … before a hasty glass of milk and a roll, which preceded the hour of piano practice from 7:45 to 8:45. A quarter of an hour for family prayers in my grandmother’s room…then breakfast at nine in the dark dining room…, and lessons from 9:30 to 1:30 in winter, and 9:30 to 11:30 in summer. Lunch at 1:30, then another hours’ practice from 2 to 3 – walking every day from 3 to 5. Supper at 5:15 –… and bed at 6:15 in winter and summer, until I was fourteen years old: then only, was I allowed to dine with the family and go to bed at 8:00 P.M….

But life in Newport wasn’t all hard work, and Edith and her sisters were encouraged to enjoy outdoor pursuits such as horseback riding, carriage driving, and swimming. Summers were particularly lighthearted as the Dresser girls, accompanied by their governess and their pet collie Paddy, walked to the beach three times a week, returning in a public horse-driven bus. Apparently Paddy loved to swim so much that he would visit the beach on his own, jumping into a cab for the return trip home. The girls would look out to see what appeared to be an empty cab pull up to their house, and out would jump Paddy, leaving a laughing cab driver behind.

The Paris years

Following the death of their grandmother in 1892, Edith and her sisters spent some time traveling, returning to Newport for a few months before taking an apartment in Paris for the next several years.

In 1896 and 1897, the Dresser girls vacationed for the summer in the French town of Dinard. Still pet lovers as they had been from childhood, they acquired two dogs in France – “Mlle Follette,” who would “die for France,” standing on her hind legs then falling over as though felled by an enemy’s bullet, and Bluette, a bulldog. Time in Dinard was light-hearted and fun, with most of their friends in attendance. They “picnicked and swam and danced and enjoyed themselves hugely.”

After their last summer together in Dinard, Edith and her oldest sister Susan stayed in Paris while Natalie and Pauline Dresser returned to Newport for the first time in four years. It was a time of new beginnings for each of them as the Dresser sisters began to meet and fall in love with the gentlemen they would one day marry.

Edith Vanderbilt’s legacy

Without a doubt, Edith Vanderbilt’s childhood and young adulthood certainly molded her into much more than “a very charming and accomplished girl.” The development of her striking personality traits such as intelligence, sophistication, an outgoing nature, a love of adventure, the ability to relate to people of all backgrounds and cultures, resilience in the face of difficulty, and strong commitment to family make her a woman we continue to admire.

Pictured above, right: the Dresser girls with their grandmother (L-R: Natalie, Edith, Grandmother Susan Fish Le Roy, Pauline, Susan)

Pictured above, left: Dresser girls in Dinard, 1896 or 1897 (L-R: two servants, Edith, Mlle. Rambaud, Pauline, Susan, Natalie; Bluette the bulldog in  foreground & Mlle. Follette to the left of the bicycle)

Wintry Words Arrangement

It’s easy to make lush floral arrangements in spring and summer, but what about winter, when many flowers and plants are out of season?

Christy Leonard, one of Biltmore’s Floral Designers, shared a great idea for creating a fresh arrangement that’s simple to put together and can easily transition into spring.

“This is a great way to freshen your décor after the holidays,” said Christy, “with some of the elements that you probably have on hand.”

Christy selected our Biltmore Beaded Serveware Cake Stand as the foundation for her design, arranging fresh plants, winter greenery and votive candles as a backdrop for Scrabble tiles arranged into words of the season like “let it snow.”

“The Scrabble letters add a bit of whimsy to this project, and make it more personal,” Christy said. “You can continue to change out the words and the plants as needed to suit your mood and to add a bit of color as spring approaches.”

Click here to find our Biltmore Beaded Serveware Collection.  Also available at Belk and belk.com.

How-To

Materials

Cake Plate
6–inch plant of your choice (Peace Lily pictured)
6–inch plant liner
5 (2-inch) assorted plants of your choice (available at your local nursery)
4–5 single stems fresh or silk flowers of your choice (Peruvian Lily pictured)
Greenery (pine and seeded eucalyptus pictured)
Moss
3 votive candles
Scrabble game pieces (or other block letters)
Stick ‘Em floral adhesive
Adhesive tape

 

Instructions

Clean and polish the cake plate.

Set the 6–inch plant with liner on the back center of the cake plate and adhere with Stick ‘Em adhesive on the bottom.

Set your 3 votives in the location of your choice centered around the 6–inch plant and secure with the adhesive.

Set 3 of your 2–inch plants in the votives and secure with adhesive.

Place the remaining two 2–inch plants around the base of the plants.

Place greenery and moss around the votives and plants, using moss to conceal the plant pots.

Place fresh flowers of your choice around the moss and votives. Place each stem in a water tube.

Place the letters to spell out your favorite quote. Secure block letters with adhesive tape.
 

Tip: To transition to the next season, add color by changing out fresh-cut flower colors, quotes, and any 2–inch plants.