Once termed “one of the best read men in the country” by New York media, George Vanderbilt amassed a personal library of more than 22,000 volumes at Biltmore House, each of which he selected with great care.
In honor of our upcoming Designed for Drama: Fashion from the Classics exhibition, let’s take a look at a true gem within his literary collection: George’s copy of J.M. Barrie’s Peter Pan in Kensington Gardens (1906), a first American edition of the book featuring illustrations by artist Arthur Rackham.
Peter Pan is familiar to most as the free-spirited and mischievous young boy of Neverland who can fly and never grows up.
However, Peter Pan in Kensington Gardens, one of Barrie’s four major works featuring the beloved character, introduces Peter at the tender age of just seven days old.
The vast majority of the book first appeared in Barrie’s The Little White Bird (1902) as a story within the story.
The popularity of The Little White Bird, thanks in large part to the several chapters involving Peter Pan, prompted Barrie to write the 1904 play Peter Pan, or the Boy Who Wouldn’t Grow Up, a wildly successful production that broke nearly all previous theatrical records.
Barrie eventually adapted the play into another, better-known novel: Peter Pan and Wendy (1911)—but not before the chapters that first introduced the character were extracted from The Little White Bird and published as Peter Pan in Kensington Gardens.
While the text was slightly revised for the 1906 publication to read better without the context of the surrounding story, more significant is the addition of Rackham’s illustrations.
His 50 beautiful color plates helped to make the book immediately popular and drew attention to the artist, who—aside from his success with Rip Van Winkle (1905)—was relatively unknown before then.
Another notable difference is the fact that The Little White Bird was published as a novel for adult readers whereas Peter Pan in Kensington Gardens was published as a children’s book.
This fact leads us to believe that Cornelia Vanderbilt, George’s daughter who was six years old at the time, may have played a role in his decision to add the title to his collection.
Beginning February 10, George’s copy of Peter Pan in Kensington Gardens will be on display in the Banquet Hall of Biltmore House, along with multiple costumes from the film Finding Neverland (2004), which tells the story of J.M. Barrie’s friendship with the family who inspired him to create Peter Pan.
Images
Feature: Arthur Rackham’s “There Now Arose a Mighty Storm” on the inside cover, and the title page of Peter Pan in Kensington Gardens
Right: Rackham’s “Looking Very Undancey Indeed” from Peter Pan in Kensington Gardens
Left: Rackham’s “The Serpentine is a Lovely Lake” from Peter Pan in Kensington Gardens
According to her co-workers, Chef Brookhouzen’s vision and attention to detail make this gingerbread display truly over-the-top spectacular. Special features include rotating Christmas trees in the front and back, a lighted roof and windows, charming animals, and a host of other miniature touches.
“We’ve been doing a gingerbread model of The Inn for nearly 15 years, so I thought it was time to try something new,” said Chef Brookhouzen of her design. “I hope that having something so different will delight our guests and make them interested in seeing what we create next year.”
Gingerbread Conservatory Fun Facts
“I’m all about less is more,” said Betsey Baker, a member of the Biltmore Floral team. Betsey came to Biltmore in 1999 as a plant expert at A Gardener’s Place, the charming garden and gift shop located beneath the Conservatory in the Walled Garden. In 2001, she joined Floral, which included cutting privileges for the gardens and grounds, and Betsey embraced the concept of “bringing the outdoors in” that meshed with her own natural style. Though officially retired for several years, Betsey continues to work with Floral on a reserve basis.
That was never more apparent than in 2009 when the estate’s theme was “Flowers, Fields, and Forests.” Betsey, who has cutting privileges in Biltmore’s gardens, created a particularly lush display featuring mounds of dried Hydrangea macrophylla that she harvested from the estate, spread out to dry, and then incorporated into her plan for the Music Room.
“This type of hydrangea produces a large “head” of pale green blooms that is very full and tightly packed,” Betsey said. “After I clipped the heads, I hung them upside down to dry. As they dried, some of the flowers took on a warm cream and bronze hue, with beautiful pink tips. It gave the Music Room a natural blush of color that softened the massive mantel and drew out subtle tones in the woodwork and the furnishings.”
