Remembering Headlines: Titanic’s Cinematic History Posted on January 5, 2018 at 12:00 am.Written by Jean Sexton Please enjoy this archived content from 2018. It has become a tradition that movie buffs look forward to in December: A bevy of major motion pictures arrive in theaters in time to be considered as Oscar® contenders when the Academy Awards® are announced soon thereafter. In December 1997, one word seemed to sum up the collection of movies that year: “Titanic.” As Biltmore gets ready to exhibit more than 40 stunning costumes from the 1997 blockbuster Titanic, in its newest exhibition Glamour on Board: Fashion from Titanic the Movie, we look back at a few of the reactions from film critics when it was released 20 years ago. The well-known film critic Roger Ebert declared that James Cameron’s film “is in the tradition of the great Hollywood epics. It is flawlessly crafted, intelligently constructed, strongly acted and spellbinding…” “A Spectacle As Sweeping As The Sea”The headline atop critic Janet Maslin’s sparkling review in the The New York Times on Dec. 19, 1997, cued readers in a not-so-subtle manner of her delight. Ms. Maslin wrote: “What a rarity that makes it in today’s world of meaningless gimmicks and short attention spans: a huge, thrilling three-and-a-quarter-hour experience that unerringly lures viewers into the beauty and heartbreak of its lost world. Astonishing technological advances are at work here, but only in the service of one spectacular illusion: that the ship is afloat again, and that the audience is intimately involved in its voyage.” Titanic went on to become the most Oscar-winning film ever, raking in a record 11 Academy Awards, including the trophies for Best Picture and Best Costume Design. “Titanic is a fantastic voyage,” wrote Dave Kehr in his review for the New York Daily News. “But Titanic is not merely good. It is a magnificent object, a feat of engineering and an overwhelming visual, aural and emotional experience …” We look forward to showcasing the luxurious costumes designed by Deborah L. Scott, and worn by actors Leonardo DiCaprio, Kate Winslet and many others. Seeing them throughout the rooms of Biltmore House, our guests will experience perfect examples of the wardrobes favored by transatlantic travelers like George and Edith Vanderbilt in the early 1900s. “Titanic soars with charismatic performances, spectacular effects.” – Margaret A. McGurk, Cincinnati Enquirer, Dec. 19, 1997. Glamour on Board: Fashion from Titanic the Movie begins on February 9, 2018, and will remain on display until May 13, 2018. Featured image: Rose and Jack (Kate Winslet and Leonardo DiCaprio) in the dining scene in “Titanic.” @1997 Courtesy of 20th Century Fox. Second image: Rose admires Jack’s artistic talents while aboard the Titanic. @1997 Courtesy of 20th Century Fox.
Dressing the Mannequins of Glamour on Board Posted on January 4, 2018 at 12:00 am.Written by Stacie King After almost two years of planning, Biltmore’s newest costume exhibition, Glamour on Board: Fashion from Titanic the Movie, is beginning to come to life. While key costumes from the film have been shown in other places, this is the first large-scale display—including outfits of background characters, shoes, accessories, and more. All that’s to say, Leslie Klingner, Biltmore’s Curator of Interpretation; Anne Battram, our Upholstery and Textile Conservator; and Janey Abbott, Costume Specialist, have been hard at work. Anne and Janey began dressing mannequins back in May and they’ll be the first to admit: There’s more to the task than meets the eye. 1. Outlining the exhibition Before the costumes were chosen at Fox Studios, Leslie worked with other members of our Museum Services team to map out the storyline of the exhibition, which informs where the costumes will be placed throughout Biltmore House. “This plan shifted a bit as we saw what costumes were available,” said Leslie. “Some were so striking that it was clear immediately in what room they could best be showcased.” As Titanic is set in the early 1910s, many of the period-specific costumes paired easily with the interior of America’s Largest Home®—but others required some judgement calls. For instance, one costume in the film’s collection is a beautifully intricate maritime officer’s uniform. “The artistry of the piece is truly incredible,” Leslie said, “and the Captain’s story is an important one, but that outfit simply doesn’t make sense just anywhere in Biltmore House. In the end, we decided that it made the most sense in the Banquet Hall, knowing that when the Vanderbilts’ travelled, they would have often been invited to dine at the Captain’s table. We wanted to convey a sense of that through this exhibition.” 2. Documenting the costumes of Glamour on Board Not long after the flow of the exhibition is outlined, the costumes begin to arrive. At this point, Leslie and Janey must photograph each of the 511 items to document their condition and arrangement upon arrival. “The process is far more involved than dressing a retail mannequin,” explains Leslie. “These costumes are iconic and hold cultural and historical value, so we have to pay attention to the details of every single piece.” The team then creates an inventory sheet for each costume, identifying all of the pieces included as well as a film still showing the costume on its character. 3. Dressing the mannequins Before actually dressing the mannequins, Leslie and Anne pair the costumes with the most appropriate mannequin. “Our mannequins are custom made,” explained Leslie, “and as styles change with the times, it’s important for each to reflect the style of dress from that era. We pad out mannequins to best support the textiles while they are on display and also try to reflect the form of the actor who originally wore the outfit.” “For some costumes, we need mannequins whose poses can accentuate certain accessories, such as shoes or a fan, while still appearing anatomically correct,” added Janey. Finally, Anne and Janey put the costumes on the mannequins and Leslie checks to see what may need adjusting to make the pieces as authentic as possible—which can be anything from needing extra padding to create a certain shape to finding creative ways to resolve issues that arise. They then take the costume off, make the adjustments, put the costume back on, and check their work. “No matter how well we plan, there is always something that didn’t fit quite how we expected,” said Leslie. “Anne and Janey have come up with countless ways to mask small gaps between buttons or to create the illusion of a lengthened hem. It’s an art!” “It really is a challenge in 3D thinking,” says Janey. “We’re essentially creating form from the inside out.” In the last few months of dressing, this team will be adding wigs custom-made of watercolor paper and jewelry for a final touch. Meanwhile, our Floral team is planning complementary décor for the rooms and our Engineering and Conservation teams plan for lighting, object movement, and installation. Join us for the exhibition and see how all of the hard work pays off. Also, be sure to ask about our limited-time Glamour on Board Premium Guided Tour. In this 90-minute tour, you’ll learn captivating stories behind the costumes’ creation, and get fascinating insights into the elegance of the era’s fashions, culture of the times, costume design, and making of the film.
George Vanderbilt: A Modern Art Collector Posted on January 2, 2018 at 12:00 am.Written by Amy Dangelico From a young age, George Vanderbilt inherited his father’s passion for admiring and collecting art. While George was inspired by the earlier artists his father admired, he also supported more modern, progressive artists who embraced contemporary themes and new technologies. Let’s take a look at a few of the pieces in the Biltmore House collection that speak to George Vanderbilt’s love of ground-breaking artists and their work. 1. Ignacio Zuloaga’s “Rosita” On display in the Louis XV Hallway Painter Ignacio Zuloaga drew from folklife and long-founded elements of Spanish painting—for instance, Rosita is lounging on a divan draped with a mantón de manila, an integral part of the costume worn by flamenco dancers. However, Zuloaga was also influenced by the philosophy and art of the French symbolists to explore different modes of expressing character and energy and encouraging personal interpretation. In this, the character and energy of Rosita is distinct; she is confident: a model at ease with being an object of beauty. 2. Pierre-Auguste Renoir’s “Young Algerian Woman” and “Young Boy with an Orange” On display in the Breakfast Room Renoir painted alongside fellow artists Monet and others to create a wholly new style concerned with capturing light, movement, and other optical effects. This Impressionistic approach to handling light, as well as Renoir’s unique style of composition, his use of underlying foundations and free brushwork, and his informal, intimate subject matter were all ground-breaking developments—represented in both Young Algerian Woman (above) and Young Boy with an Orange (feature image). Fun fact: The Renoir paintings in the Biltmore House collection were likely among the first of his works in America! 3. Maxime Maufra’s “Vue du Port” (“View of the Harbor in Sunset”) On display in the Breakfast Room Frenchman Maxmie Maufra travelled to England as a young man and devoted time to study the Romantic landscapes of Constable and Turner. While their dramatic skies and turbulent seas were impactful, his work clearly shows the influence of the Impressionist and Post-Impressionist schools in his handling of light and color. 4. Constantin Emile Meunier’s “Anvers” (“Antwerp”) Not currently on display Inspired by his travels and exposure to the industrial region of Belgium, Meunier made an important contribution to the development of modern art by elevating the image of the industrial worker, dock worker, and miner to an icon of modernity. While he certainly wasn’t the first to explore the theme of workers and industry, his portrayal of labor and laborers in forthright, heroic fashion was an altogether new approach.
Uncorked: Meet Biltmore’s Sommelier Posted on December 26, 2017 at 12:00 am.Written by Jean Sexton If you’ve ever wondered how to choose the perfect wine to accompany your meal, Biltmore’s sommelier can help you uncork the “secrets” of selecting something special. Speaking from experience Artur Loli, sommelier for The Inn on Biltmore Estate™, knows that great wine is part of what makes fine dining so memorable. “The Dining Room of The Inn is world-class,” said Artur, “and Chef Eckman’s culinary skills are legendary, so the wines we offer must also be outstanding enough to elevate the entire experience.” In fact, The Dining Room of The Inn was recently named a new Forbes Travel Guide Four-Star Restaurant. According to Charles Thompson, General Manager of The Inn on Biltmore Estate, these illustrious stars are a remarkable achievement. “The award speaks to the dedication of our talented staff who truly offer our guests an exceptional travel experience” Charles noted. Rigorous training Training to become a sommelier is not an easy process, and often requires years of study to understand and appreciate the nuances of the world’s wines. Some would-be sommeliers opt for courses through organizations such as the Wine and Spirits Education Trust (WSET) to gain a solid foundation in wine knowledge before pursuing further certification through the Court of Master Sommeliers, the American Sommelier Association, or hospitality schools. Others choose to work in the industry, seeking a combination of hands-on experience and mentorship by working in vineyards, wineries, and wine-driven restaurants. “You can certainly learn a lot in the classroom,” Artur said, “but there’s no substitute for working in the hospitality industry where you discover what real guests like and dislike. Good listener Artur, who began working in the hospitality field in Santorini, Greece, 25 years ago and has spent the past 16 years with The Inn, knows that good listening skills are one of the most important tools a sommelier can offer. “Helping someone choose a wine that complements their meal is as much about listening to them as it is about knowing which varietal has good acidity or which vintage is preferable. All our Biltmore wines are outstanding,” he said, “so it’s never about selling more wine or pushing the most expensive wines we offer. What really matters is earning a guest’s trust with wine selections that appeal to their palate, even when that means non-traditional pairings.” For Artur, the most rewarding thing about being a Biltmore sommelier is that he becomes part of the guests’ experience–especially when they choose to celebrate a special event at The Inn. “It is my pleasure to offer a warm welcome to all our guests, from those who have never joined us before to those who have spent more than 500 nights at The Inn. Helping guests select a bottle of wine, for me, is more than a service standard and a job requirement–it is a passion of mine. Countless times, uncorking a bottle of wine sparks a conversation that is the beginning of creating loyal guests for decades to come.” Plan your getaway today Ready to experience the four-star elegance of The Inn on Biltmore Estate? Reserve your special getaway today, and be sure to include The Dining Room–with its impressive new Forbes Travel Guide Four-Star Restaurant designation–in your plans so that Artur Loli and other members of The Inn’s knowledgeable staff can help make your visit more memorable! Blog images— Featured image: Artur Loli serves sparkling wine to guests at The Inn— First image: Guests enjoying wine at The Dining Room of The Inn— Second image: Artur brings wine to guests at an outdoor event at The Inn— Third image: A sommelier is an expert at opening wines as well as choosing them
Fabulous Fashion Find Yields Titanic Results Posted on December 21, 2017 at 12:00 am.Written by Karina Hux With our new exhibition Glamour on Board: Fashion from Titanic the Movie, we are celebrating not only the 20th anniversary of the iconic film that won 11 Oscars®, including Best Picture and Best Costume Design, but also the elegant wardrobes favored by transatlantic travelers in the early 1900s. On display in Biltmore House February 9–May 13, 2018, this exhibition is the first large-scale display of the original Titanic costumes and will showcase the exquisite detail meticulously recreated for these award-winning fashions. Just as portrayed in the movie, long days at sea fostered friendships and romances, including George Vanderbilt’s courtship of Edith Stuyvesant Dresser. Planning the exhibition In planning the exhibition, members of our Museum Services team wanted to ensure that guests understood the historical significance of Edwardian fashion as it pertained to Biltmore and the Vanderbilt family. Leslie Klingner, Curator of Interpretation, conducted specific research related to the costume designers who created the glamorous gowns and dashing suits worn by the principal actors–as well as the extraordinary number of extras–in Titanic. Leslie learned that many of the costumes were original fashions from the era purchased for use in the film; others were created using original elements to make them look and feel as close as possible to authentic clothing of the era. “While researching, I came across information indicating that the memorable striped ‘arrival suit’ worn by Kate Winslet’s character Rose as she boards Titanic for the first time was a direct reproduction from the January 1912 issue of Les Modes magazine,” said Leslie. “Knowing that Les Modes was a popular fashion magazine of the period, I wondered if we could find another institution that held that particular issue in order to reproduce the original fashion plate for comparison with the costume.” A fabulously fashionable discovery Leslie asked Lauren Henry, Associate Curator, for assistance with the search, and that’s when Lauren made a fabulous fashion find: Edith Vanderbilt not only read Les Modes, she kept a number of issues that are still in our archives–including the January 1912 edition! “The magazines themselves are gorgeous,” Leslie said. “The covers are printed using a very refined technique called pochoir. This specialized process used a stencil-based method of printing that produced crisp lines and brilliant colors and was often used to illustrate fashion magazines like Les Modes,” explained Leslie. “The issues in our archives have metallic gold highlights on the covers and are in remarkable condition. Many look just as lovely as they would have when they were new!” Titanic connections We’ve always known that Edith Vanderbilt was considered a trendsetter when it came to fashion, but with the discovery of this treasure trove of magazines, we now know one of the ways she kept up with the latest Parisian styles on a monthly basis. In fact, she may have looked at the very dress in 1912 that would be used to express the height of haute couture more than a century later in the film Titanic. In another twist of fate, George and Edith Vanderbilt would make plans to travel aboard the ill-fated ship just a few months later, and though their personal arrangements were changed before Titanic sailed, a member of their household staff was lost in the tragedy. Discover The Vanderbilts at Home and Abroad Opening in March 2018, The Vanderbilts at Home and Abroad exhibit, located in The Biltmore Legacy in Antler Hill Village, will further showcase the lives of the Vanderbilts as well as treasures collected during their world travels. Featured image: (L-R) April 1912 and February 1913 covers of Les Modes magazines from Biltmore’s archives First image: Leslie Klinger displays the large striped hat that accompanies the ‘arrival suit’ worn by Kate Winslet’s character Rose in Titanic Second image: January 1912 Les Modes photograph featuring original design which inspired the ‘arrival dress’ used in the film Titanic (magazine from Biltmore archives) Third image: April 1911 Les Modes fashion spread featuring five original gowns from the time period in which Titanic is set (magazine from Biltmore archives)
Olmsted’s Groundbreaking Work: Gardens and Glass Posted on December 12, 2017 at 12:00 am.Written by Karina Hux Chihuly At Biltmore Was On Display From May 17 To October 7, 2018. Please Enjoy This Archived Content. Long known as the father of American landscape architecture, Frederick Law Olmsted reached the pinnacle of his professional career with his landscape design for Biltmore–George Vanderbilt’s magnificent private estate. A vision for the future In addition to developing the extensive plans for Biltmore, Olmsted was a true visionary–looking ahead more than a century to understand how his designs would mature to create a stunning setting for America’s Largest Home® that future generations would continue to preserve. From gardens filled with glorious blooms to carefully managed forest lands, Olmsted’s genius is recognized around the world and his contributions to the art and science of landscaping continue to be celebrated. The success of Olmsted’s protégées is also directly attributable to his mentorship, from Biltmore’s first forest manager Gifford Pinchot’s who went on to serve as the first chief of the U.S. Department of Agriculture Forest Service to Chauncey Beadle, Biltmore’s estate supervisor who managed and nurtured Olmsted’s designs for more than 50 years. Masterpieces in gardens and glass From May 17–October 7, 2018, Biltmore will host Chihuly at Biltmore, the first-ever art exhibition in our historic gardens. This exhibition features the works of globally-renowned artist Dale Chihuly set in the living backdrop of gardens that remain true to Frederick Law Olmsted’s design intent. Just as Olmsted is known as a leader in the development of landscape architecture, Chihuly is leader in the development of glass as a fine art and he is celebrated for amazing architectural installations combining brilliant colors and striking forms that have entranced viewers worldwide. Chihuly at Biltmore features awe-inspiring artworks in both Biltmore House & Gardens and Antler Hill Village. Dazzling by daytime, the exhibition sparkles during Chihuly Nights at Biltmore, when the sculptures are illuminated to showcase their spectacular colors and shapes. Plan your visit now Chihuly at Biltmore is included in your estate admission. The dramatic experience of Chihuly Nights at Biltmore requires a separate ticket purchase and is offered on select evenings by reservation only. Featured blog image: Biltmore’s Walled Garden — First image: Frederick Law Olmsted portrait by John Singer Sargent, located in Second Floor Living Hall of Biltmore House — Second image: First in Forestry plaque at Biltmore, featuring Gifford Pinchot — Third image: The Conservatory at Biltmore, which will feature several of Chihuly’s Chandeliers during the exhibition
Chef Vivian Howard Visits Biltmore’s Winery Posted on December 4, 2017 at 12:00 am.Written by Shalee Sparks Biltmore is a proud sponsor of the PBS series A Chef’s Life hosted by chef, restaurateur, and cookbook author Vivian Howard. Last fall, Chef Vivian visited Biltmore for a behind-the-scenes look at America’s Largest Home®, which includes America’s most-visited winery. Biltmore winemakers Bernard Delille and Sharon Fenchak were Chef Vivian’s expert guides to help her enjoy learning more about our award-winning Biltmore wines—and tasting them! We sat down with Vivian recently to reminisce about her visit and learn what she took away from the experience: Q: What was the most interesting thing you learned about how wine is made at Biltmore?A: I was fascinated by the challenges faced by the Biltmore winemakers. Weather is a factor whatever you are growing and it is no different at Biltmore. The vineyard is in a valley, where it gets cold and freezes. Hurricanes from the East Coast and Gulf Coast can also bring lots of rain to the North Carolina mountains. Despite the challenges, I think it speaks to Bernard’s and Sharon’s skills as winemakers that they consistently produce great tasting wines. Q: Were you surprised by any part of the experience? A: We did a Malbec barrel tasting, which was really fun. I had never done that before. It was interesting to taste a wine in the middle of the winemaking process. Most people only ever get to taste the finished product. Q: What else was a highlight of your visit? A: I loved hearing the stories of how Bernard and Sharon ended up at Biltmore. Bernard came from France more than 30 years ago to be the assistant winemaker. He went from the Pyrenees to the Blue Ridge Mountains. Sharon, who grew up in Pennsylvania, decided as a nine-year-old who was fascinated with science, fermentation, and yeast that she wanted to become a winemaker. Her parents didn’t drink alcohol. But her time spent in Italy while in the military furthered her ambition. I think it’s interesting how their two very different paths lead them to working together at Biltmore. Q: What is your approach when it comes to food and wine pairings? A: My husband Ben and I try to choose wines that we like and that are relatively food friendly. Neither of us gravitate toward heavily oaked wines. Most of my food pairs well with lighter reds or medium-bodied whites. In fact, the wine list at Chef & the Farmer includes two Biltmore Estate wines: the Biltmore Reserve Viognier 2015 and the Château Reserve Blanc de Blancs 2015 sparkling wine. Q: What is your favorite Biltmore wine? A: I’m fond of their sparkling white wines. My favorite thing to drink right now is an Aperol spritz, which is a traditional Italian cocktail that combines sparkling wine, club soda and Aperol, a sweet orange and bitter liqueur. The Château Reserve Blanc de Blancs, which I mentioned is on our wine list, and their Biltmore Estate Blanc de Noir sparkling both make a good Aperol spritz. Q: What was your favorite part of the visit? A: I am far from a wine expert but I loved learning about wine from Sharon and Bernard. Being in the middle of that breathtaking winery really brought the winemaking process to life. Besides, who wouldn’t want to listen to Bernard’s French accent all day? Take a tour of Biltmore’s Winery Want to experience your own behind-the-scenes tour of the Biltmore Winery? Join us for our one-hour tour offered daily for $10 per person.
Christmas at Biltmore Sparkles at The Winery Posted on November 29, 2017 at 12:00 am.Written by Ellie Garst If you’re visiting for Christmas at Biltmore, you won’t want to miss the stunning holiday vision situated high above Biltmore’s Winery. Inspired by the over-the-top holiday decor in a New York City-based restaurant, 7,000 ornaments ranging from large to gigantic are suspended from the ceiling over the winery’s main Tasting Room. Michaela Schmidlin, a member of Biltmore’s marketing department, lived in New York City for years and knew of the restaurant’s annual eye-catching holiday hall-decking traditions. She proposed a similar – albeit scaled-down – version for Biltmore’s Winery. Using monochromatic metallic tones, she and Biltmore’s floral displays manager created a look that mimics the bubbles inside of a champagne bottle, a perfect homage to the winery’s popular selection of sparkling wines. And now, the globe-shaped ornaments in gold and champagne tones are dazzling our guests as they sample wines in the Tasting Room. When the light hits them just right, the ornaments look almost like they’re as fizzy as the bubbles in Biltmore’s sparkling wine. It’s a true sight to behold during Christmas at Biltmore. Christmas décor at Biltmore Estate is nothing short of magical. To take in all the sights, be sure to visit America’s Largest Home®, Antler Hill Village, and beyond, our incredibly talented team members manage to inspire young and old alike year after year.
Saving Wine to Savor Later Posted on November 27, 2017 at 12:00 am.Written by Ellie Garst Many wines are ready to drink when released, but some taste even better if they are correctly stored and allowed to age. Why age a wine? We asked Biltmore winemaker Sharon Fenchak for tips on why and how to age a wine. “The reason to store a wine is because you believe it will improve with age. At first tasting, if the wine dries and coats your mouth then it’s obvious you should hold it to drink later. I call it ‘pucker power,’” she said. Sharon notes that some wines, primarily reds, have more initial tannins at bottling. Aging softens those tannins, creating a more balanced and pleasurable wine experience. As the tannins soften, sediment often settles at the bottom, so don’t be surprised to find sediment in aged wines. With proper decanting, the sediment can be removed, allowing the wine to be more easily enjoyed. Successful aging tips for wine Wines age most successfully if you store them in the coolest, most temperature controlled place in your home, and allow for some humidity. Place the bottles upside down to keep the cork from drying out, and keep the wine away from vibrations. Sharon recommends select red wines from our Vanderbilt Reserve or Antler Hill® series for cellaring (as the experts refer to the process) for up to five years. Deciding how long to store a wine is literally a matter of taste. “If you really like a wine, buy a case and in two years try a bottle and take notes,” she said. “If you think it will benefit from more aging, try another bottle in two more years. If you feel it needs more time, open another bottle the following year,” Sharon advised. Discover our award-winning wines at your local retailers or online. Featured image: Biltmore winemaker Sharon Fenchak First image: Choosing a bottle from Biltmore’s wine cellar Second image: Antler Hill red wines suitable for aging Third image: Friends enjoy a glass of well-aged red wine
Remembering Mrs. Mary “Mimi” Ryan Cecil Posted on November 20, 2017 at 12:00 am.Written by Ellie Garst Mary “Mimi” Ryan Cecil died on Friday, November 17, 2017 in Asheville, NC. Mrs. Cecil and her late husband, William A.V. Cecil, were active members of the Asheville, NC community as owners of the historic estate, Biltmore. Born Mary Lee Ryan on December 11, 1931, she was the daughter of textile manufacturer John J. Ryan, Jr., and granddaughter of the prominent New York banker, lawyer, and builder James T. Lee. She graduated with a B.A. in English from Vassar College in 1953. Notably, she was in the first class of female graduates from the University of Michigan Law School. She was elected to the Law Review in 1956 and was a partner in the Wall Street firm of Cadwalader, Wickersham & Taft. Mimi and William A.V. Cecil at the reception following their wedding. In 1957, she married William A.V. Cecil at St. Vincent Ferrer’s Roman Catholic Church in New York City. In 1960, the Cecils moved to Asheville, NC to raise their family and to oversee the management and preservation of Biltmore, which was created by his grandfather George W. Vanderbilt. Upon their return, Biltmore was transformed into a privately owned, profitable, working estate that was named a National Historic Landmark in 1963. While supporting her family’s endeavors at Biltmore, Mrs. Mary Cecil became a legend in her own right within the community. Known for her relaxed and approachable manner, she was a familiar figure in the world of non-profit leadership, and devoted her life to making a difference in the areas of education, social inequities, the environment, and the arts. She was a trustee and served 14 years as Chair for North Carolina Environmental Defense. In 1995, in recognition of her devotion and support of the organization, the Board of Trustees and Staff elected her Chair Emeritus, expressing their deep and lasting appreciation, respect, and love for her dedication to the welfare of the organization and her lifelong efforts to insure the overall betterment of North Carolina. Mrs. Mary Cecil was a founding board member of the Nature Conservancy and Friends of the Smokies, and was recognized for 20 years of stewardship by the National Park Service for her work with Friends of the Smokies. She also served on the Board for the North Carolina Zoological Society. In 2007, The French Broad River Garden Club and The Garden Club of America presented the Zone Conservation Award to Mrs. Cecil for her inspiring dedication to the conservation of our environment, natural resources, and mountain heritage. She served as Chairman of the Community Foundation of North Carolina board for a decade, and was Chair of the Warren Wilson College Board of Trustees from 1998–2005. Mrs. Mary Cecil was a supporter of the Asheville Symphony and Guild, the Asheville Art Museum, the Health Adventure, the United Way, and the National Forest Foundation. She was also active with the Buncombe County Board of Education, Hospitality House, John C. Campbell Folk School, and the National Parks Conservation Association. She volunteered with the Mission Health System for 20 years and was a long-time member of The Biltmore Company’s Board of Directors. Mrs. Cecil in South Georgia, Antarctica, 2004. Mrs. Cecil was devoted to her family, sharing her love of travel, especially with her five grandchildren. As each grandchild reached the age of ten, they were able to pick a travel experience to share with her, creating a memorable tradition that spanned generations. In the book Lady on the Hill, Mr. Cecil (1928–2017) recognized Mimi Cecil for her integral part in Biltmore’s success story and in supporting those efforts for more than 45 years. “She has been a wonderful wife and mother and has offered her considerable gifts, skills, and abilities to our community, our mountains, and our country. I am profoundly in her debt,” he stated. Mrs. Cecil is survived by her son, William A.V. “Bill” Cecil Jr., and daughter-in-law Virginia “Ginger” Cecil; her daughter, Diana “Dini” Cecil Pickering and son-in-law George “Chuck” Pickering II, brother John J. Ryan III, and sister-in-law Jacqueline Ryan; five grandchildren; and two great-grandchildren.