BILTMORE REOPENS NOVEMBER 2. VIEW HELENE RESPONSE.
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Our story is one of art, innovation, and visionaries. From the awe-inspiring Crystal Palace to Dale Chihuly’s grand installations, glass has woven a mesmerizing tale of human creativity for over a century. Discover how Biltmore has become a living testament to the enduring power and beauty of the glass art movement.
Held in London in 1851, the World’s Fair marked the first time artists, manufacturers, and inventors from around the world were welcomed to showcase their innovations. The Crystal Palace, constructed specifically for this event, was a marvel built entirely of cast iron and plate glass—its walls and ceiling included—symbolizing the era’s spirit of innovation. Beyond housing more than 900,000 square feet of exhibitor space, it set a standard for combining architecture and art on a grand scale.
George Vanderbilt was born 11 years after that first World’s Fair, inheriting from his parents an appreciation for the arts and a vast fortune. Influenced by his upbringing, he traveled extensively and collected art throughout his life, forming friendships with renowned artists, architects, and writers alike.
George’s formative years coincided with the Industrial Revolution’s peak. By 1880, artist John La Farge patented techniques for opalescent and iridescent glass, revolutionizing colored-glass windows. The following year, George’s father commissioned La Farge to create windows for his New York City home—a residence later inherited by George. During this same period, Louis Comfort Tiffany was pioneering methods for assembling colored-glass windows, further reshaping artistic possibilities.
In 1888, George began planning the construction of Biltmore Estate with architect Richard Morris Hunt and landscape designer Frederick Law Olmsted. By the time construction of the estate was underway, Hunt and Olmsted were simultaneously designing buildings and grounds for the 1893 World’s Columbian Exposition in Chicago.
Inspired by the Gothic cathedrals and French châteaux he had admired during his travels, George envisioned Biltmore House as a monumental work of art itself, sparing no expense in adorning it with the work of renowned artists such as Louis Comfort Tiffany and Anders Zorn.
By 1905, George had added the La Farge windows from his father’s residence into his personal collection. Today, a set of these exquisite windows can be seen at Biltmore’s Winery in Antler Hill Village. Among the cherished artworks in Biltmore House is Anders Zorn’s evocative painting The Waltz, recently conserved and back on display for all to enjoy.
While glass art manufacturing thrived, the era of grand stained-glass commissions had faded. However, the 1960s saw a revival with the Studio Glass Movement, where artists embraced experimentation aided by new tools and techniques.
Chihuly entered the scene during this resurgence, delving into glassblowing under Harvey Littleton at the University of Wisconsin in 1966. His journey was soon accelerated after receiving a grant from the Louis Comfort Tiffany Foundation, marking the beginning of his artistic evolution. Fast forward to 2012, in commemoration of the 50th anniversary of the Seattle World’s Fair, Chihuly Garden and Glass opened to the public. Located at the base of the Space Needle, the museum offers visitors a permanent display of Chihuly’s indoor and outdoor art.
Whether you’re exploring the grandeur of George’s art collection or marveling at Chihuly’s permanent Iris Gold and Garnet Chandelier installation at the Winery, each encounter urges you to appreciate the allure and rich history of glass—a testament to human creativity and ingenuity—that continues to inspire today.
We invite you to experience this mesmerizing medium for yourself during Chihuly at Biltmore in the galleries of Amherst at Deerpark®. This once-in-a-lifetime exhibition ends on January 5, 2025. Reserve your tickets or special overnight package now to secure your preferred dates and times.
What was George Vanderbilt’s vision for Biltmore? How does the legacy live on today?
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